Floor Caressing
Date: Thu, 5 Nov 1998 10:54:25 -0800 From: David Orly-Thompson Subject: FLOOR CARESSING (was heel first) Recently I read the following here on the list: _______________________ Kate Withey wrote: > In a private lesson with Pablo & Ester Pugliese once, they scolded me for > keeping my foot touching the floor (gliding, ever so lightly, I thought). > Pablo said "I don't want to HEAR your steps" & I realized he was right > -- at least in the silence of a room with just the 3 of us, my steps were > whispering quite audibly, though one would hardly notice in a milonga. > But keeping the foot on the floor lets you cheat on your balance > (I now try to keep my steps just a hair off the floor). Actually, multiply all that gliding ever so lightly (they think) whisper of feet on the floor, by all the dancers in a milonga, and it sounds like a crew of carpenters sandpapering. Three cheers for Pablo for pointing it out, and you for changing! --Sharon Brunswick, Maine, USA ________________________ My two bits is as a leader: women who caress the floor feel vastly more sensual and sexy to dance with. AND, they are easier and more responsive to dance with. Has anyone else, leaders in particular, noticed this? And for that matter, I'd love to hear from followers which FEELS better to them as followers: lightly caressing the floor, or just stepping from spot to spot. I would gladly listen to the sound of "a crew of carpenters sandpapering" if they FEEL well-balanced, strong on their feet, sensual and sexy. The thing is, if the music is good, if the dancing is strong and sensual, if there is connection between partners, then a very intimate and private world is created - and it would take a lot of extraneous noise to get my attention. At our Milongas in the San Francisco Bay Area, I never notice the sound of shoes on floor. It's there, I'm sure, but I don't notice it. I hear music and I hear (pay attention to) our dancing/connection. All of this brings up another point. (And puts me at risk of sounding like a complainer, which I hope I'm not.) I can't help but come to the conclusion that many U.S. dancers are more concerned with how they LOOK on the dance floor than how they FEEL to their partner. I get the feeling that many people (but especially followers) in the U.S. would rather look beautiful or pretty on the dance floor than to feel exquisite to dance with. As it happens, I think that the finest FEELING dancers also are lovely to watch. More or less. In a sense, form follows function in the dance. It seems like just about every thing that enhances the feel and strength of the dancing also makes it beautiful to watch. It's a false dichotomy, but makes for an interesting rhetorical question to ask: would you rather be the most visually beautiful dancer in the room, or the one who feels most beautiful to dance with? Has anyone else thought about this. I'd love especially to hear from followers on this one, but leaders too, what say you? As a post-script to this, I guess I should say that aside from feeling great, I think that floor caressing LOOKS best of all. But that's with the acknowledged bias that I prefer the look and feel of sexy/sensual (warm, cuddly) tango to the more stately/elegant (cold, stiff) aesthetic in tango. To each, their own. De gustibus non disputandem est, or something like that. Perhaps it's crude to state the obvious, but to watch a dancer lovingly caress the floor is to have a thrilling sense of "wow, see how they caress the floor with their feet, imagine what they could do with their hands!" RSVP Cheers, y'all Davidtop of page Date: Thu, 5 Nov 1998 14:37:15 EST From: Jack Karako Subject: Re: FLOOR CARESSING (was heel first) First of all thanks David for changing the subject line - it is a proper newsgroup posting convention which all of us should pay attention to. david.orly-thompson@US.PWCGLOBAL.COM writes: <<It's a false dichotomy, but makes for an interesting rhetorical question to ask: would you rather be the most visually beautiful dancer in the room, or the one who feels most beautiful to dance with?>> I agree with you that there is no conflict between LOOKs and FEELs. If it is a false dichotomy why then ask the question anyway ? The question simply is not a valid one, to attempt to answer it, would indicate an acceptance of such dichotomy. We can only argue our position if someone is convinced that Feels and Looks are different. Even then the question is "why do you think it is different" not "which one do you prefer"... Regards Jaktop of page Date: Fri, 6 Nov 1998 09:33:20 +0100 From: Alexis Cousein Subject: Re: FLOOR CARESSING (was heel first) David Orly-Thompson wrote: > My two bits is as a leader: women who caress the floor feel vastly more > sensual and sexy to dance with. Depends on what you mean. Those who almost touch the floor with their feet -- yes. Followers who are stomping around usually aren't really following well (at least, not if *I'm not stomping around* ;) -- I think you mean followers that will commit to a step and do it independently of the leader instead of in coordination, from beginning to end). Those who keep sliding their feet on the floor -- well, they'd be just as sexy with their feet 2mm higher. -- Alexis Couseintop of page Date: Fri, 6 Nov 1998 11:42:48 +0100 From: nina scheu Subject: Re: FLOOR CARESSING a followers view thanx to Alexis for his short and IMHO very correct answer. Many beginning followers don't know either - neither to walk correctly, nor to follow. So they stomp around their partner, lifting their feet up to incredible hights, thinking they know (instead of feeling) what he's leading. But - as most of the time - the opposite way isn't necessarily the better one. Touching the floor might mean, the lady is off balance. Even if not so she'll probably slow down the movement (maybe this is what you consider to be sexy?) and so inhibit changes in rhythm or direction. Sure there are exceptions, like the earlier discussed "planeo", but those are either lead or choreographed moves you mostly see in shows. The nicest position of feet is ALMOST touching the floor (Alexis' 2mm). You will not see, but feel and hear (or rather not hear) the difference. This (hopefully) looks AND feels good (sexy, charming, responding, etc, etc) for both, leader and follower. regards ninatop of page
Date: Fri, 6 Nov 1998 14:00:45 -0800
From: Kate Withey
Subject: FLOOR CARESSING (was heel first)
David Orly-Thompson wrote:
> ... I can't help but come to the
> conclusion that many U.S. dancers are more concerned with how they LOOK
> on the dance floor than how they FEEL to their partner. I get the feeling
> that many people (but especially followers) in the U.S. would rather look
^^^^^^^^^^^^^^^^^^^^^^^^
> beautiful or pretty on the dance floor than to feel exquisite to dance
> with.
Oooh, I think you need to get slammed for this. Er, that is to say, perhaps
you think this is a follower issue because as a man, followers are the ones you
dance with (& thus get annoyed by when you feel them showing off instead of
tuning in). I, of course, as a follower, would say it's primarily a leader
problem -- that being who I dance with. Have you not heard/seen women's
endless laments (on this list & in reality) that so many men are more focussed
on proving how many steps they know, when we'd all be so delighted if they'd
just calm down, simplify, & focus on the music & the woman they're dancing
with?
Instead of letting this degrade to men vs. women name-calling, perhaps we could
agree that ALL of us would do well to concentrate on feeling the connection to
the music & our partner instead of caring how we look (unless we're practicing
fantasia for performances).
-Kate :)
"Great dancers are not great because of
their technique; they're great because
of their passion." - Martha Graham
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Date: Fri, 6 Nov 1998 17:16:28 EST From: Jack Karako Subject: Re: FLOOR CARESSING (was heel first) In a message dated 11/6/98, 3:59:17 PM, withey@SFO.COM writes: << perhaps we could agree that ALL of us would do well to concentrate on feeling the connection to the music & our partner instead of caring how we look (unless we're practicing fantasia for performances). -Kate :)>> The same false dichotomy again; it can not look good if there is no connection to the music & partner, therefore the looks and the feelings are not seperable. If you sacrifice one, you sacrifice the other. Jaktop of page Date: Sat, 7 Nov 1998 11:42:16 EST From: Timothy Pogros Subject: floor caressing I thing Danel & Maria said it best to me. The mans first responsibility is the women, giving her a good lead to follow. Second Is the Music. Music is the law. Music controls the flow of the dance and how you react. to it. Third, is himself. Put these three things together and you have a great tango. Tim Pogros (TimmyTango)top of page
Garrit Fleischmann Nov.98 Email: kontakt(at)cyber-tango.com |